However, he's also incredibly charismatic, and convincingly plays a charming super spy in "True Lies." Roles in "Last Action Hero," "The Running Man," and "Kindergarten Cop" show that he's self-aware, too. "Conan the Barbarian" and "Commando" saw him at his most banal and brutal, and in "Predator" he's believable as the only survivor of the monstrous hunter's bloodbath. Schwarzenegger's physical strength makes him convincing as a military hero.
Although some of the other "Terminator" sequels are very poor in quality, 2019's "Terminator: Dark Fate" was an underrated soft reboot. The 1984 original saw him as a steely, fearsome villain, yet James Cameron switched things up for 1991's "Terminator 2: Judgment Day." His original target, John Carter, reprograms him to make him a protector, and it's fun to see a young John (Edward Furlong) and his mother Sarah (Linda Hamilton) work alongside their former nemesis. Schwarzenegger is best known for his titular role in the Terminator franchise, a character that he's reinvented with each installment. He's also hilarious in action-comedies like "The Last Boy Scout" and the "Red" series. Stylized thrillers like "Sin City" and "Lucky Number Slevin" proved that Willis could be a standout within a stacked ensemble. Terry Gilliam's madcap time travel adventure "Twelve Monkey," Michael Bay's ludicrous disaster adventure Armageddon," Rian Johnson's gripping time-travel thriller "Looper," and Luc Besson's eccentric space odyssey "The Fifth Element" showed that he could work with complex mythology. Willis has also done great work in sci-fi action films made by visionary directors.
KUNG FU FIGHTER FULL MOVIE FREE
Jackson, and "Live Free or Die Hard" was exciting even with a PG-13 rating (we'll just ignore "A Good Day to Die Hard" entirely).
"Die Hard 2: Die Harder" delved deeper into his marital issues, "Die Hard with a Vengeance" paired him in a buddy comedy with Samuel L. The sequels allowed Willis to develop McClane even further. "Die Hard" launched countless imitators that took the same basic premise and set it in a new location, but no hero has become quite as iconic as McClane. However, sillier roles in "Demolition Man," "Tango & Cash," and "Over the Top" show that he's at least a little self-aware. There's a self-seriousness to Stallone's most absurd work, including "Cobra," "Daylight," and "Lock Up," as he delivers even the goofiest one-liners with complete sincerity. Even a film like "Cliffhanger," which features death-defying stunts, featured him wrestling with a tragic backstory. "Nighthawks" was a realistic buddy cop thriller that explored the threat of urban terrorism, and "Cop Land" placed him within an old-fashioned noir. Stallone can give layered performances that show the complexities of law enforcement officers and his other heroes. When he returned to the character with 2007's "Rambo" and 2019's "Rambo: Last Blood," Stallone increased the intensity with even bloodier setpieces.
KUNG FU FIGHTER FULL MOVIE SERIES
1982's "First Blood" is an intimate character study that showed that Stallone was still a serious dramatic actor, but 1985's "Rambo: First Blood Part II" and 1988's "Rambo III" transformed the series into an over-the-top action extravaganza. It's fascinating to see how the "Rambo" saga evolved.
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Here are the 18 greatest action movie actors of all time, ranked. However, the glory days of action cinema relied upon memorable stars who could create box office successes that were also critically beloved. Jean-Claude Van Damme and Steven Segal are doing some of the most interesting work of their careers in films that skip the theatrical market, and new DTV stars like Scott Adkins have inspired a niche fanbase. Interestingly, some former action icons have turned to the direct-to-video market. "The Rundown," "Skyscraper," and the Fast and Furious and Jumanji sagas are certainly fun, but Johnson has yet to appear in an all-time action classic. Ironically, Dwayne "The Rock" Johnson is perhaps the only actor of his generation with a consistent fanbase, but despite his winning personality, Johnson's track record is hit and miss. Studios now tend to prioritize projects based on their relation to established franchises or source material, and the number of actors who can successfully sell tickets for roles that aren't part of a recurring series or comic book adaptation are remarkably low. Gone are the days in which a marquee name could draw in a crowd all on its own.